Within the Fifties, we additionally noticed the thin scarf in patterned materials, shorter lengths, and extra taut styling — maybe looped across the neck twice, like a choker, with a bow to play up a colourful poodle skirt. Kostis mentions the thin scarf’s symbolic references within the Nineteen Sixties, when it was a nod to mod subculture, particularly in splashy geometric prints, which may very well be interpreted as a rejection of standard kinds at the moment. And even later, we noticed it through the bohemian rocker transfer of the ’70s — a glance carried out by Moss into the late ’90s — with the headscarf nonchalantly thrown over a shirt, and a peek of lingerie, seemingly as an afterthought.
